I Wrote. Did You Die? (Writing Life Updates)

I’m going to sit down to write, and no one is going to die.

That’s how I’ve been getting myself to the page this week. I drag myself to myself to my big puffy chair, settle in… settle in some more, take a sip of water, a sip of coffee… another sip of coffee, hover my fingers over the keys, another sip of water and I say, “I am going to sit down and write, and no one is going to die.”

Because the truth is, when you’re facing that page, and the anxiety is on you, it really feels like someone is about to die. At least it does for me.

I have been reading a lot of writerly inspirational books lately, mainly Natalie Goldberg. I’ve read four of hers in the last two months, which I know is overkill because just last night, as I was finishing The Great Spring, I found myself coming up panting to the finish line thinking, “If this chick talks about her solar beer can adobe one more time…”

Funny thing that. She waxes on endlessly about the beauty and magic of New Mexico. When my mom and best friend rescued me from Oklahoma and brought me back from California, we drove through New Mexico and it was nothing but scrubby desert as far as the eye could see. It looked exactly like the drive from San Bernardino, CA to Las Vegas, which is three hours of sheer brown blah, only in the case of New Mexico, there was a sign before you entered declaring it the “Land of Enchantment.” As we drove through, my best friend said, “I don’t know guys. I’m not feeling really enchanted right now.” 

I said, “Me either. No enchantment back here.” 

“Enchanted yet?” she asked my mom. 

“Nope, no enchantment here either.” Maybe Natalie Goldberg took it all to put into her books.

But other than that, I have gotten a ton out of them. I started sitting zazen because I felt like if that could give her this juicy way of looking at life and the discipline to sit down and write every day even when somebody out there’s life clearly hangs in the balance every single time, maybe that’s something I need to try. And I did. And it has been life altering in the best way.

I couldn’t tell you why exactly. Mainly I sit there in the zazen posture trying to keep my eyes down and unfocused and my back is screaming because posture is hard for someone so used to slouching and my monkey mind is going ape shit and I think the whole time clearly I’m about to die, but then it’s over and life is… different. I’ve been getting to the page, for one thing, consistently. Not in huge bursts here and there—days long marathons followed by months long stretches of sheer nothingness like that New Mexico drive, but every day, twenty minutes at least, no matter what. Returning and returning no matter how much my insides scream that someone’s life is on the line, probably mine, or that it’s going to be terrible, which it is sometimes, or I don’t have the energy and 20 minutes of focus seems like 20 Everests stacked on top of each other. I’ve been getting to the page anyway. That change is dramatic.

It has also somehow stoked my courage about submitting my work. I am over here sitting on 13 years of truly solid poetry, fiction, and nonfiction, and I have been doing next to nothing with it. I submitted a bit in 2015 and was the editor of a small, doomed literary journal that year for about ten minutes—I even got a couple of publications, but after that? Zilch. Just accumulating work, me here in my comfy chair, file folders growing fatter all the time. 

But since I started sitting zazen, I have been getting what I call these white puffy clouds of insight. They just drift gently by, they don’t push, they don’t insist, they just drift in, whisper “what if…” then drift back out again. At the beginning of this week, one such little puffy white cloud drifted in and said, “Why don’t you submit that funny poem you wrote about the IRS in the zendo to Rattle Poets Respond?’ And you know what? Weirdly, and completely uncharacteristically of me, I did it. I just got right over myself and did it.

I got rejected, which stings no lie, but it broke the seal and now, seven days later, I have submitted two poetry packets to four different places, two nonfiction pieces, and one flash fiction piece. Some of the places to which I’ve submitted are contests in which I probably only have a tiny snowball’s chance, but hey… you can’t win if you don’t play. I haven’t been playing for a very, very long time. It feels good to be back in the game.

I submitted so much that I had to get back into my ancient, dusty Duotrope account and get myself organized. What a wonderful tool (not a commercial for Duotrope). I can’t tell you the satisfaction of looking at that big long list of submitted work, simmering away, and knowing that I am now actually living the life of a professional writer. I’m not just futzing with the keys and dreaming about it. I’m doing it. Day in, day out, one finished piece at a time, one submission at a time, over and over as long as it takes. 

But still sometimes it takes a gargantuan effort to drag my ass to my writing chair. I have literally hidden under the blankets from it a couple of times this week. My innards told me yesterday that Goldberg was becoming too soft, so I listened to a little of Steven Pressfield’s The War of Art, which you must read if you haven’t, and that blasted me out from under the covers if for no other reason than I really wanted him to stop yelling at me.

Yes, drill sergeant! I will once again unto the breach! The enemy Resistance is at my back, my front, and both sides, but I will unto that breach while the breaching is good and continue to make this literary life come alive! 

Until next week, I wish you all happy… and relatively fearless… writing.

-M. Ashley

NaPoWriMo: Little Trees Do (poetry)

Dragging the little tree’s
Corpse behind me a
Diatribe to the heatwaves
Rising from the cement

It’s not you, little tree
Doing what little trees do
Maybe even trying to
Shade the porch in
Your little tree ugly
Intrusive volunteer way.

It’s not you little tree
It’s the gardener
Who let you grow
Lets the rose bushes
Grow too
Evil arms that reach and
Grab in the walk
Blind to anything
Apparently
But mow and go—
Especially go.

-M. Ashley

NaPoWriMo: Easter Portrait (poetry)

All gone to oranges now
once flamed with pink on spring green tendrils
that climbed our matching dresses to touch
the shocking white of our lacy bib collars
accented at the throat with plum satin bows.
My sister smiles a broad white that reflects
my broken child’s hair. I smile with my teeth
out a touch. Light bounces from the lenses of my
half-transitioned Coke bottles, near permanently
dim, to one of my sister’s neatly arranged
auburn Botticelli curls—one twist of many
about her I envy.

We each have one hand on a taxidermy-stiff,
red eyed plush bunny the photographer
shoved between us to encourage
something shared and quiet.
The closest he got us to sisterhood that day
was leaned-away touching at the shoulder—
the furthest torso point from our hearts.

All gone to adulthood now
and Valentine’s Day vacuum cleaners
received with kisses like hand cut doilies,
my sister and I have become
pre-midlife reawakened to something like
crystal-sucking New Agers without
the liberalism, too much nature stuff,
or any urgent concerns about the patriarchy.

I step off the train on a wet, sky-spitting Saturday night
to celebrate my sister’s 29th-again birthday.
There is streaked silver in the puddles through which
the train runs, upside down, loping on to LA.
My sister wears a demure sweater as accent
to a royal purple petticoat that flounces
in the whoosh of the train.
I wear an oversized silver lotus petal with seven
fake stones masking a magnifying glass behind.
We hug.

-M. Ashley

Happy Easter everyone! May the little brown pellets the bunny leaves all be made of chocolate.

NaPoWriMo Day 4: Dr. Link (poetry)

Your School of Music staff picture made
you out to be so much uglier than
you actually are so
I couldn’t show my friends, so
we couldn’t fan ourselves with our
fangirl palms and drool together over
you.

I couldn’t make them understand the
dark-haired, fair-faced impetus for
trotting a mile to class in
the actual spiked Mary Janes that
made de Sade himself blanch—

what pale, long-fingered hand moving
half notes from here to there delectability made
me choose the long sensuous skirt with
the long sensuous slit, (oh mid 90’s rage!)

what high-toned atonal muscle, what
used-to-be-high-school-outcast humor
made me squeeze my thighs together
surreptitiously between
this-will-be-on-the-quiz cues.

Dr. Link—may I call you Stan—
of course I may, I
was also madly in love with
every single silver button on
your early spring black jacket.

-M. Ashley

NaPoWriMo Day 3: Senyru

Buddhist black robe—
An earring. TikTok haircut.
Devotee Gen Z

-M. Ashley

The computer assures me this is not a haiku, but something called a senyru that is like a haiku, but rather than about nature, it’s about humans and can be a bit wry. That is definitely a lot closer to how I see the world. Probably every haiku I’ve ever written is really a senyru. 5th grade haiku instruction, as it turns out, was a bit incomplete. 5-7-5 does not always a haiku make. I had no idea.

Michelle Reads Poems—A Little Podcast Thing

In honor of National Poetry Writing Month, I started a podcast.

This is, in part, the fault of Natalie Goldberg, who insists on the importance of reading our work aloud to someone. The trouble is, I don’t have any poetry lovers in my house, and when I start talking poetry, they all pretty much… zzzzzz.

So I decided to bring my poetry—along with a bit of classic poetry—to the world via a podcast, because the world clearly does not have enough podcasts yet.

For now, it’s very simple: just me, in a quiet room, reading three of my own poems and one classic poem, all organized around a theme.

In the future, I’d love for this to grow into something a little larger—something like an audio literary journal featuring contemporary voices from all walks of life. A place for fresh, energetic poetry that may not exactly fit the shape and size currently being allowed through the literary gates.

The first episode’s theme is family, and includes three of my poems—Ophelia’s OpalMy Mother’s Attempted Slow Death by Refusing to Eat, and Easter Portrait—along with “The Children’s Hour” by Henry Wadsworth Longfellow.

Please forgive the occasional blips as I start and stop. Me in a quiet room reading poetry is still getting the hang of this thing.

You can listen right here, or on Apple Podcasts and Spotify.


If you’d like to share your poetry for possible inclusion in a future episode, you can send it to: MichelleReadsPoems@gmail.com

Until next episode… Happy Poet-ing!
-Michelle

Poets Reading Poetry to Poets (poetry)

A good juicy scoop of mind-
Stuff quivering on the spoon
Slid slithery onto the tongue
Like licking silk.

Read it to me again, Baby
Orgasm or empty bladder
Either way
A relief.

Something
So
Good

Ego eviscerated on the
Golden linoleum wet with
Meaty gore. That’s all me
Down there. Down here

I go again.
Let’s go again.

-M. Ashley

I am starting a poetry reading podcast and would love to feature your work. If you’d like me to read your poem on the show, please send submissions to MichelleReadsPoems@gmail.com

Together I think we can build something great.

Poetry Reading Podcast Call for Submissions

Hello Friends,

I have decided to start a little poetry reading podcast (gotta make this “sultry sultry” voice earn its keep!), and I am wondering if any of you in this wonderful community would like to submit your poems for me to read. Upcoming themes are:

4/1 Ep. 1 Family and Connection
4/1 Ep. 2 Poetry of Place
4/8 Ep. 3 Writing on Writing
4/15 Ep. 4 Death and Taxes—Absolutes

My first episode will be on 4/1 so my audience is exactly 0 as of this moment, but what I would like to build toward is something like an audio literary journal and I would love if you talented poets would be a part of it.

Let me know if you’ve got something you’d like me to read.

Send poetry and inquiries to: MichelleReadsPoems@gmail.com

Happy poet-ing!

-Michelle

I Guess I Was a Writer All Along

When my fiancé got into bed with me last night he started talking about how he used to tape whole albums off the radio when he was a kid. He got specific. He had to have his mom buy him TDK 90 minute blank tapes—the solid gray ones in the gold wrappers, $2 apiece and sold in packs of five. Maxell was so-so—he would settle for Maxell, but Memorix with its clear tapes and groovy shapes all over was the worst of the worst and he wouldn’t put a single note on that. 

He talked about cataloguing the tapes—one album per side. Listening to the DJs talk about the albums and all the music trivia. He still listens to music talk, constantly. He follows about six hundred rock music podcasts and can DJ every song on Sirius with about thirty times the DJ juice as whatever has-been they’ve hired. He is an encyclopedia of rock. Sometimes I’ll turn on classic rock stations that I only marginally like just to give him the opportunity to fan his feathers for me, and it is glorious.

He told me he tried the guitar and piano as a kid because those are the types of instruments a blind kid is supposed to go for, but it wasn’t until someone put him in front of a drum kit that he thought yes…. I can really find my way around here. It all clicked along with the click track and he was a drummer, through-and-through forevermore. He started doing session work in LA by the time he was 14. At 50, he plays in three different bands and bursts out with drum solos on his knees randomly while I’m making dinner, while we’re waiting on an Uber, and even sometimes in the bathroom, (don’t tell him I told you that). 

Music, and rock music specifically, and drumming even more specifically than that is the way he makes his way in the world and he has no internal conflict whatsoever about that. I admire that. More than admire: I envy that. More than envy: I am deeply jealous of his soul’s love for its native art. And I wish my soul were that way about writing. It’s getting there, but it has taken a long long time.

Sometimes, when I’m depressed, I find myself doing “depressed” things long before I ever acknowledge I’m depressed. I stop taking care of myself and dressing in nice clothes. I curl up in bed and watch a lot of nostalgia bomb reruns I’ve seen ten thousand times. Walking from room to room makes me tired. I cook the simplest things for dinner—lots of blue box and ramen. But it isn’t until days and days later, when I find myself wrapped up in my blanket cocoon in bed, barely able to move, that I think, “Oh wow. I must be having a depression.”

It’s kind of like that with me and writing. 

While Angel was obsessing over TDK vs. Memorex as a kid, I was writing. I wrote my first real poem in the fifth grade and the teacher loved it so much, she posted it in the window for the whole school to see. I still remember it:

The moon is a jagged diamond

Hanging and waiting in suspense

For someone to pluck him from this mine of darkness

That holds him captive

Captive in a sea of stars

That no one dares enter

For fear they’d never return

We were learning about metaphors and similes when I wrote that. I chose metaphor.

I used to ride the bus to school composing poems. As I grew, the poetry onslaught continued. I’d type them on my little Canon electric typewriter that printed a whole line at a time, and put them in packets in the kind of folders you’d put school reports in. I’d give the packets titles and slip them to my teacher on the sly. 

I put my poetry in the front cover of my clear-covered three ring binder in high school and changed it out regularly. I wrote down song lyrics from memory and broke the lines apart the way I thought they should be broken.

I wrote satirical pieces in junior high, high school, and college and got in major trouble with teachers and schoolmates over it, but kept doing it anyway. 

I sat in the wood-paneled study room in college with my left hand pressed against my forehead writing short stories longhand for hours as day turned to night, turned to very late night. I’d dance around air-conducting baroque music thinking of what next things my characters should be doing and what most clever ways I could say it. 

All through the eight years I was trafficked—even then during that horrendous abuse, I spent so much of my “free” time alone at the keyboard writing endlessly about what was happening to me. I filled countless file folders on my shiny new Gateway computer and more spiral notebooks than I could ever keep track of. Words words words as Shakespeare would say. They didn’t always make sense during that time, but they kept me anchored to something, even if it was just my own hands moving, the click of the keys, the scratch of the pen, the flick of one page to the next.

I went to the Iowa Summer Writers’ Workshop twice and found my joy and my people. I didn’t bring an essay for class. I wrote it while I was there. I stayed up late in my hotel room writing it. I dashed into the college computer lab the day it was my turn to be workshopped, typed it out at emergency speed, and ran in to class with my ten copies, wet ink drying on my fingers. 

And after I survived the trafficking, while I was barely surviving survival, when I was desperately poor and living in an apartment that had roaches in the dishwasher, when I was working at Walmart and smoking with old Southern ladies and bitching about customers, managers, and my swollen feet, I never stopped writing. I started a blog about my Walmart experiences. I started a blog about world spirituality. I started a blog about my burgeoning Paganism. I started a blog about 12 step recovery. I started a blog about tarot. I started this blog. I started more blogs. I started a blog… I started a blog… I started a blog… 

And now, twenty years after the trafficking ended and nearly forty years after I wrote my first poem, and probably over fifty blog starts later, I am still writing. And I am reading Writing Down the Bones and realizing for the first time, after all this time, that I am a writer. I am a writer all the way down to my bones and always have been. I am a writer the way Angel is a drummer. I am a writer the way Natalie Goldberg is a writer.

It’s how I make my way in the world. It always has been whether I wanted it to be or not. My passion for the written word has burned for decades in spite of myself. 

I wonder what will happen when I embrace its burning as myself. 

My very own self.

We shall see.

-M. Ashley